The Deception
I was delivering a memo to the News spur when I first saw Toby Foss. He reminded me of the great dancer Nureyev .... I noticed him watch me cross the big open space of the studio. Returning a few minutes later, I could feel my heart pound as I told myself to be bold. Then I gave him a friendly smile and called 'Hi.'
To look at, Toby might really have been a ballet dancer. His camp posture and striking countenance was a definite attention grabber, then you'd notice the poise, the sleek black hair, glowing black eyes, pale skin... not exactly what one associates with a journalist.
He nodded back. OK, I thought, here we go. So I went over and said why I was there, adding with a sweep of my arm that this struck me as a very fine area to work in.
'I suppose it is.' he said, quietly, 'But probably like anywhere else, once you get used to it.'
'True,' I said, 'but you should see where I hang out.'
Lucky for me he knew nothing of my department, so within a few days I showed him around and we began to get to know one another.
He'd joined as a 'Training Investigative Journalist' a month earlier after completing an intensive two-year course in journalism. He'd also spent a year as a freelance on several newspapers when still a teenager.
We were in the bar about a week later when he told me how glad he was to know someone from another department at last, and how his first assignment in News had turned sour even before it had got off the ground.
'The chief editor aborted it.' said Toby, 'That was a few days before your auspicious visit to the spur.'
'Must have had his reasons.' I said.
'He had those all right.' said Toby in a tone of acute scepticism, 'It was an elaborate deception, and it failed. Most likely all the commands came from on high.'
'On high?' I said.
'Government.' said Toby, raising his eyebrows.
'I'm listening,' I said.
'To start with, the task had looked innocent enough.' he explained, 'Even a bit of fun. The mandate was to answer lonely-heart ads in 'Time Out'. The editor would analyse responses for certain clues, which he refused to define, then select the clients he thought I should meet. My part was to attend, then write a detailed script - or story - around each meeting.'
'Sounds like he was hoping for some kind of nouveau-style drama-documentary?' I said.
'If I had an imagination,' sighed Toby, 'I'd write drama. As it is, I'm useless at it. That's why I went in for journalism instead of fiction... believe me, I've tried.'
'I mean, maybe he didn't want imagination.' I said, 'TV is stuffed solid with it already. Maybe this was to be totally authentic.'
'That might fit the theory.' said Toby, 'In practice one needs at least some augmentation; reality usually needs sprucing up a bit.'
I nodded, 'A traumatic childhood is the secret, so they say. Like for writing any good fiction. I guess a wealth of experience in powerful emotions to draw-on is fairly crucial.'
'You need a certain arrogance too.' Toby replied. I glanced at him and smiled. For a moment he looked bemused, then he grinned, 'Not to be confused with vanity... And you need to be a good liar as well, another skill I lack.'
I laughed, and we both took a drink.
'Not much in my childhood was especially painful,' he continued shortly, 'nor especially uplifting... what I remember above all is a kind of tired boredom with no incentive to change anything or to try and develop or move in any particular direction.'
'Same here,' I said, 'more or less; an easy life at home and a difficult time at school.'
'An interesting contrast,' he said, 'I guess as a kid I was a bit of a conformist, which I now regret. When there's something to fight for, one has to fight. I never did that.'
'Or something to fight against,' I suggested, 'which I did a bit. All good experience, if also harrowing.'
'People who avoid conflict are inclined to be objective... which is precisely what's needed for good journalism.' he added contentedly.
'So what happened then?'
'As I say, the intention was to attend several meetings, and write an appraisal of each. My first lonely-heart the editor handed me was someone called Ali.'
'For Alison?'
'I was hoping a female,' he said, 'or at least someone unusual or exotic. Ali was a guy. He'd responded with just his phone number and the message 'Call me'. When I asked the editor how he could decide from that alone, he said the clue was in the location, revealed by the number: not far from Chelsea, he said.'
'One of the wealthiest areas in London,' I mused, 'probably with quite a few Arabs, hence Ali.'
'You'd think that,' groaned Toby, 'But this Ali guy turned-out to be totally English - and even worse, middle class. I nearly hung-up on him. I'd been misled. I felt cheated. I thought: this won't make a story.'
'What do you mean,' I said, 'by middle class?'
'Accent, for one thing,' he said, 'but where he lived too. It wasn't exactly Chelsea, but in one of those Victorian terraces just south of the Thames; within walking distance of Westminster.'
'Even so, must be worth a few million?'
'I suppose.... anyhow Ali was quite bossy, though in a cheerful kind of way. He instructed me to bring a bottle of Chablis, not less than a tenner, he emphasised. I told him I'd never forked-out more than a fiver. He said he'd know if it was less. For some odd reason, after a while, I began to kind-of warm to him. Not like him... I definitely didn't like him. I put that judgment on hold - objective, you see? He seemed interesting though; a little strange, maybe eccentric, but the more we talked the more I was intrigued. I began to think my first impression was wrong, that he might after all make a good story, so the classy accent began to seem irrelevant.'
'You mean, in an unusual way, he sounded weirdly exciting, or cultured even?'
'Precisely,' snapped Toby 'That's it, cultured. But weirdly so, as you say. An ideal subject for study, I thought: intelligent, sophisticated... very knowledgable, but above all weird!'
'And probably dangerous,' I said, sportively.
Toby made several nods, 'Which in hindsight I guess he was. And gawd, if I'd known the half of it! I just thought: will this make a good yarn? Will I have to make anything up? Answer: probably worth checking out. So I went along with it and....'
He paused, gulped and shook his head then took a swig of beer.
'Go on,' I said, 'and...?'
'The moment he opened the door I felt like I was staring into a morgue. It was just something I felt: the dimness, and a waft of stale air made me shudder. The place looked neglected, not dirty but drab, Ali too; small and kind-of grub-like, in a drab grey cardigan... slippers... you know the score. Nothing at all like I'd imagined. No sign either that he'd tried to smarten himself for our little soirée, and I'd say at least a decade older than the 30 he'd put in the ad. Balding too. What a twister, I thought. He took the Chablis before he'd even said to come in. Why I didn't scarper then still puzzles me.'
'You didn't though?'
'I hesitated. But I wanted to sample that wine, and most of all, as I say, to get a good story. So I let him lead the way through this dingy hallway to the gloomiest kitchen ever: old wooden cupboards, badly-plastered dark-green gloss-painted walls, everything dark - and kind-of shoddy. Can you imagine it? One small high-window above the sink looked onto a courtyard overgrown with ivy. A single unshaded bulb glowed dimly above a big rough-looking table in the middle. Cracked oilcloth covered its top; would you believe people still use that lousy plastic? And there were three badly contorted dining chairs with the stuffing falling out around the seats.'
'Sounds positively charming.' I said.
Toby grinned, 'So he said to sit, which I did, then he said he had to phone someone and would only be a minute. He left the room, but was back almost straight away. Then he fetched a couple of glasses and opened the wine. Before pouring he brought several little dishes across from a worktop: green olives, cherry tomatoes, mini cheese biscuits and one or two other things. nothing in the least appetising. Then he put a couple of saucer-sized plates on the table. One for me, one for him. I wondered at first what he was going to do with them. It reminded me of when I was about seven and played teatime with my little sister. Lucky for me I wasn't hungry.'
'Maybe he was in his second childhood?'
'Well, either way he was nutty, that's for sure. He sat down opposite me and poured the wine. That's when he started to tell me about his former lover. Apparently, he'd killed himself only two months earlier. He didn't say how, and I didn't ask. Nor why, but I felt I was learning the answer to that as I sat there listening to his dull monotone voice. The drone of him talking and the wine made me sleepy, and I fell into a weird kind of trance. It reminded me of a ghost film I once saw about an old mansion with loads of big dusty rooms and these spine-chilling moaning noises echoing indeterminately around as the trapped protagonist wandered from room to room in a vain attempt to distance himself from the noise and locate a way out to escape.'
'Maybe he murdered the guy and rigged it to look like suicide?' I said.
'Who knows?' said Toby, 'It wouldn't surprise me. Nothing would surprise me. I did feel a bit scared, though, I have to admit. But at least I discovered what Chablis for a tenner tastes like. I thought: Now all I need is the rest of the story. It doesn't have to be real, it doesn't even have to be horrible, though maybe it helps if it is. And it doesn't have to be nice either, just a sodding story! Then I can leave happy.'
'And?'
'It was good. The wine, that is. I might get another sometime.'
'I mean: then what?'
'He said he was expecting an important visitor, didn't I know? Weird, I thought. No, I told him, how could I know? He responded with a kind-of foxy smile, as if there was some secret I hadn't been let in on, but that it didn't matter; I'd find out in good time.'
'Weird.' I said.
'Wait till you hear the rest.' he said, after a swig of beer, 'We finished the bottle and went upstairs. The staircase was narrow, but was solid with bookshelves both sides. Old books mostly, paperbacks, no real order that I could see. Though I was a bit tipsy by then, of course, so I guess that stands to reason. He led the way into a small untidy lounge, also full of books - mostly on shelves. We sat either end of a long sofa, soggy and ancient, and covered in a huge tartan throw. He sat first, and I sat as far away from him as possible. I felt a bit uneasy so said I couldn't stay long, had some things to attend to. He didn't seem to like that and reminded me about the visitor. He said it would be extremely disappointing if I left.'
'That alone would have made me nervous.' I said.
'It did me.' said Toby, 'Then he asked me about myself. That's when I regretted my lousy imagination. I didn't want to tell him about my real self, and I'm a lousy liar. So I just skimped over things, shrugged a few times then asked about him. Of all things, he said he was an author...'
'Appropriate enough,' I said, 'Journalist meets author.'
'I asked him what he'd written, anything published. Apparently, he used a pseudonym and I wouldn't have heard of him anyway. Try me, I said. But he was vague and dismissive. A bit like I'd been, I guess. His vagueness wasn't out of modesty either. I could tell that much. More that he was making it up.'
'Probably like millions of other aspiring writers,' I said, 'ashamed of failing.'
'Probably.' he said. 'But that's when the doorbell rang. He said to wait there, and went down to the hall. I could hear talking and after a moment he called for me to come down. The visitor had gone ahead, down another flight of stairs from the hall. So I followed Ali and soon entered a huge cellar room.'
'Now that sounds scary.'
'Just the opposite, in fact. It was all smart and bright in there. A high ceiling with a big chandelier. Everywhere nicely decorated, elegant even, and no musty smell or anything of the sort. A plush Russian carpet covered the floor. Must have been worth thousands. And a fabulous grand piano stood in the middle of the room, its black mirror surface gleaming with reflections from the chandelier. Several antique chairs upholstered in pale green were placed along one side, and opposite were bookcases with glass doors and sets of neatly arranged hardbacks inside. The visitor was sitting on a big chaise-long beyond the piano, slightly in front of the bookcases. I recognised him immediately, and almost gasped. Of course, he hadn't seen me before... so I thought.'
'You mean, he had seen you.'
'Apparently, as it turned out.'
'Who was it then?'
'Only a bigshot government minister.'
'Blimey!' I said, 'Which one? And bloody hell... in that cretin's cellar? So what was he supposed to be doing there? Or is that a stupid question?'
'I guess it's a stupid question.' he said, grinning, 'It was a very nice cellar, though... But if any of this got out, especially to identify the minister, it could lead to trouble. If only for me.'
'Why only you?' I said, 'The innocent party? What seems most odd, though, is that of all people they choose a journalist? You'd have thought, if you want something kept quiet, that just about anyone else would be preferable.'
'It's not really a paradox.' said Toby, with a laugh, 'You see, in normal life no-one is trustworthy, except maybe solicitors and accountants and Catholic priests, but for a journalist everything's secret unless it's obviously OK. The risk of contempt-of-court or of pre-empting something and spoiling what might otherwise make a much bigger sensation, is deterrent enough.'
'There's always rumours, though.' I said.
'But nothing goes on-air, or is printed, without some big-shot editor's approval. And if anyone fails to keep to that, they're out - for good, tainted. See? So journalists are the safest for keeping their mouth shut. Being just at the start of a career, I reckon I'll play it safe for the moment.'
'Fair enough,' I said, 'So have you written-up any of this?'
'No no!' said Toby, with a dismissive wave, 'I told you, the whole project was aborted. The minister was under the impression that I'd been fully briefed. I should've been informed. As soon as he realised I knew nothing, he was out of there. I never saw anyone move so fast, or look so put-out.'
'So how long did it take him to realise?'
'About twenty minutes, I guess. Ali disappeared as soon as we entered the cellar. The minister and me chatted for a while, then he took hold of my hand. I withdrew it immediately. That was my big mistake, apparently. But it was just so creepy. He wasn't bad looking, nor old, it was just the shock of it. I mean him being such a bigshot and all. I guess I was a bit overwhelmed. And he kind-of moved so fast. Didn't give me time to get used to the idea. That's when we realised, both together, that I was totally ignorant of the whole set-up. It seemed to really shake him.'
'I suppose it should have been pretty obvious.' I said.
'I know,' said Toby, 'I was a bit slow to realise. I thought it was a friend of Ali's who'd just popped round, and that Ali would return any minute. As he got up to leave I told him about the project and my real reason for being there, as I saw it. He said I'd been enticed under false pretences. I told him no one had said anything about meeting anyone except this Ali guy, whoever he really was, and nothing was specific or spelled-out. For me it was merely a kind-of preliminary lonely-heart meeting of two people, on the surface all quite banal and innocent.'
'What are you going to do now?'
'Not sure.' said Toby, 'The editor must have circulated pictures of me to certain high-up people. Then invented this crazy scheme to get me to meet them for sex. He must have just assumed I'd be up for it.'
'He must have been charging a big fee too.' I said, 'or why else would he do that?'
'Obviously.' said Toby, 'Or some other favour, like passing stories to him first. The thing that gets me is why didn't he tell me what he was doing?'
'I guess he assumed you might back out,' I said, 'Whereas faced with the drama of the moment you'd be more likely to acquiesce?'
'He doesn't know me at all.' said Toby, 'People like him think they can just stereotype people. They assess someone from a few simplistic details, and then take advantage of them. He might be good at his job, but otherwise he's an arrogant prick.'
'Those big-shots won't trust him now.' I said, 'He'll have learned his lesson this time, at least.'
'I doubt it.' said Toby, 'Blatant deception is what I call it.' He swallowed the last of his beer.
'Too right.' I said, taking his hand.
Toby gave me a big smile, took my other hand in his, and whispered, 'Let's go to your place.'

Nureyev
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